A) Death of a Salesman
B) The Crucible
C) A View from the Bridge
D) After the Fall
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A) is very one-sided.
B) is conversation.
C) questions the cosmos.
D) contains frivolous.
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A) unquestioningly confident in his or her own might,no matter how great the opposing forces.
B) perplexed and inarticulate in the face of myriad forces,fighting for control of his or her soul and identity.
C) passionate and triumphant in his or her quest for idealist causes.
D) overly concerned about sexual issues.
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A) plant and animal life.
B) conflicts among nations.
C) slice-of-life drama.
D) contrived behaviors due to out of control emotions and relationships that are not in conflict.
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True/False
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A) a rebellion against the contrived manners of the Royal era and the creation of a theatre with a distinctly democratic,anti-Royalist air
B) to hire more actors
C) the reinstatement of the Gods as fully-empowered characters so as to confer metaphysical significance to humanity's otherwise meaningless existence
D) to embarrass modern audiences
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A) the stage was conceived to be the same as life in a real-world setting except that,in the case of the stage,one wall-the proscenium opening-had been removed.
B) the human animal is seen to be like a rat in a maze,bound by the strictures of four symbolic walls: society,family,or economics.
C) the "fourth wall" of the mind creates a frame around human experience just as a fourth wall completes a room.
D) the three walls of Marxist economics,Darwinian biological determinism,and Freudian psychological determinism leave the fourth wall of political oppression absent.
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True/False
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Multiple Choice
A) There must be an attempt to reactivate passion,which,critics argued,had been dormant since Shakespeare.
B) Reason and order must prevail.
C) The "dream state" of hypnotism should subsume all elements of reason and passion.
D) Moral education and lecturing is of paramount importance.
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A) He brought realist acting to realist plots.
B) He introduced body doubles in scenes of passion.
C) He refused to work with new material.
D) He was a great musician.
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A) free-form picaresque stories.
B) minimal,claustrophobic settings.
C) exotic locales.
D) grotesque heroes.
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A) the absence of intellectual commitment to ideas.
B) the rhythms and muddled inanities of natural speech,which are sometimes contrasted by the characters' actions.
C) the absurdity of the universe in which language is just noise without any real meaning.
D) the grammatical problems in the original handwritten script.
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Multiple Choice
A) Objects like the samovar show the realistic accessories of the living room and bedroom.
B) Objects are peripheral to the lives of the characters.
C) The objects convey qualities of action and character.
D) Objects become weapons and projectiles.
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True/False
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True/False
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A) Genres were blended,climaxes flattened,and there was life between the lines.
B) Scenery depicted ordinary living environments that were as messy as their real-life counterparts.
C) Characters were drawn from everyday life.
D) The playwrights renewed the heightened rhetoric of Shakespeare,Sophocles,and Aeschylus.
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Multiple Choice
A) A samovar was a typical wedding present and he betrays his unconscious desires to marry Irina.
B) A samovar was brought out only on the occasion of funerals and Tchebutykin foreshadows his impending death.
C) A samovar was a silver anniversary present and inappropriate for a young lady's twentieth birthday gift.
D) A silver samovar was an object permitted only to members of the Tsarist family,and Tchebutykin betrays his class by this gift.
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