A) Stanislavsky's school of realism.
B) Artaud's theatre of cruelty.
C) Pirandello's use of theatrical magic.
D) Brecht's epic theatre.
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A) impressionism
B) theatre of cruelty
C) expressionism
D) dada
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A) naturalism
B) scientism
C) romanticism
D) mesmerism
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A) Antonin Artaud
B) Konstantin Stanislavsky
C) Herbert Hauptmann
D) Bertolt Brecht
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A) has had a lasting effect on modern theatre.
B) is actually quite nonrealistic: it calls for a symbolic representation of reality that conveys the feeling of reality more precisely.
C) was short-lived as a movement.
D) arose from nostalgia for ancient Greek aesthetics.
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A) Henrik Ibsen.
B) August Strindberg.
C) Mario Tinburgen.
D) Anton Chekhov.
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True/False
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A) impressionism
B) metatheatre
C) expressionism
D) theatre of cruelty
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A) In order to subvert realism,symbolist writers attempted to draw characters more true to life than reality.
B) The symbolists did not dispense with realism but enhanced it with antirealist styles,which followed no single belief.
C) In order to assault the dimensions of lived reality,symbolist drama fostered the use of miniature by plays-within-the-plays acted by puppets.
D) In protest against realistic set and stage design,symbolist sets did away with all props and furniture on the stage.
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A) Naturalism and realism are interchangeable terms.
B) Naturalism paralleled but existed independently of realism and sought to eliminate every vestige of dramatic convention.
C) Naturalism is a word applied to the success of the performance;realism refers to the dramatic style.
D) Naturalism refers to plays only about nature while realism refers to only the group mind.
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A) represents conversation.
B) is conversation.
C) reveals philosophical truths.
D) symbolizes abstract ideals.
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True/False
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A) He brought realist acting to realist plots.
B) He introduced body doubles in scenes of realistic passion.
C) He introduced the use of complex nudity on the stage.
D) He required actors to wear their own clothes on the stage.
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True/False
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Multiple Choice
A) that everyday life is beset by the eternal confusion between appearance and reality.
B) that appearances are always what they seem to be.
C) the ultimate authority of truth is in confusing the audience.
D) that appearance is shallow yet exciting.
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Multiple Choice
A) Brecht's theatre of alienation
B) Artaud's theatre of cruelty
C) Pirandello's metatheatre
D) Beckett's realism
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True/False
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