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Briefly describe the interdependent relationships among the developments of melody,harmony,and tonality.

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The developments of melody, harmony, and...

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What is one way in which Stravinsky departed from the Romantic style?


A) He wrote only atonal music.
B) He refused to use any meter.
C) He used mechanistic rhythms as opposed to rubato.
D) He wrote no works for large orchestra.

E) All of the above
F) A) and C)

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Was early twentieth-century music responsive to public opinion? Was emotional expression to an audience important to early twentieth-century composers? Explain.

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Early twentieth-century music was indeed...

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Which musical elements were questioned in the modernist movement?


A) melody, rhythm, and tone color
B) melody, harmony, tonality, and rhythm
C) harmony and tone color
D) harmony and tonality

E) B) and C)
F) B) and D)

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The feeling of centrality or focus toward a particular pitch is related to:


A) tonality.
B) texture.
C) rhythm.
D) dissonance.

E) B) and C)
F) A) and D)

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The five-note scale playable on the black keys of the piano is called the ________ scale.


A) pentatonic
B) whole-tone
C) quarter-tone
D) octatonic

E) A) and B)
F) B) and C)

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The "new language" for music invented in the 1920s was:


A) primitivism.
B) objectivism.
C) serialism.
D) expressionism.

E) B) and C)
F) None of the above

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Contrast Stravinsky's use of rhythm and attitudes with that of nineteenth-century composers.

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Igor Stravinsky's use of rhythm and atti...

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Briefly trace the shift from tonality to atonality in terms of the use of dissonance and chromaticism from the nineteenth century to the twentieth century.What was meant by the "holy trinity" of music?

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The shift from tonality to atonality in music occurred gradually over the course of the 19th and 20th centuries. In the 19th century, composers began to experiment with increased dissonance and chromaticism, using notes outside of the traditional diatonic scale and creating more tension in their compositions. This led to the breakdown of traditional tonal structures and paved the way for the development of atonal music in the 20th century, where composers completely abandoned tonal centers and embraced dissonance and chromaticism as integral elements of their compositions. The "holy trinity" of music refers to the three most influential composers of the Baroque period: Johann Sebastian Bach, George Frideric Handel, and Antonio Vivaldi. These composers were considered the pillars of Baroque music and their works were highly revered for their technical mastery and expressive qualities. Their contributions to music were so significant that they were often referred to as the "holy trinity" of Baroque music.

Composers focused on certain musical elements before World War I and on other musical elements after World War II.Name the elements stressed in each era.

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Before World War I, composers focused on...

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Briefly discuss the impressionist movement in the visual arts.

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The impressionist movement in the visual...

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Name and briefly describe three new kinds of scales used by composers after 1900.

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1. The Whole Tone Scale: This scale cons...

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Schoenberg's reference to "the emancipation of dissonance" meant emancipation from the need to:


A) be free.
B) serve homophony.
C) dominate.
D) resolve to consonant chords.

E) A) and D)
F) A) and C)

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Define expressionism as an early twentieth-century artistic movement.

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Expressionism was an early twentieth-cen...

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Explain what Schoenberg meant when he spoke of "the emancipation of dissonance."

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Arnold Schoenberg, a pioneering composer of the 20th century, spoke of "the emancipation of dissonance" as a key concept in his development of atonal and twelve-tone music. In traditional tonal music, dissonance was often resolved to consonance, creating a sense of tension and release. However, Schoenberg sought to liberate dissonance from this traditional framework, allowing it to exist on its own terms without the need for resolution. By emancipating dissonance, Schoenberg opened up new possibilities for musical expression, challenging the established rules of harmony and paving the way for a more complex and diverse musical language. This approach allowed for greater freedom in the use of dissonant chords and intervals, leading to a more expansive and innovative musical landscape. Schoenberg's concept of the emancipation of dissonance had a profound impact on the development of modern music, influencing composers such as Alban Berg, Anton Webern, and later generations of avant-garde and experimental musicians. It represented a radical departure from traditional tonal practices and sparked a revolution in the way composers approached harmony, ultimately shaping the course of 20th-century music.

Modernist composers after World War II were preoccupied with changing their approach to:


A) tone color and rhythm.
B) melody, harmony, and tonality.
C) tonality, melody, and tone color.
D) tonality and harmony.

E) A) and D)
F) A) and B)

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Modernist composers before World War I were mainly preoccupied with changing their approach to:


A) rhythm and harmony.
B) melody, rhythm, and tone color.
C) melody, harmony, and tonality.
D) tone color and rhythm.

E) None of the above
F) A) and C)

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Name three composers who contributed to the disintegration of melody in the early twentieth century.How did they contribute to this change?

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Three composers who contributed to the d...

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Describe some of the events and scientific discoveries that shook the late nineteenth century's confidence in the idea of progress.What effect did these events have on music,literature,and the arts?

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The late nineteenth century was a time o...

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The composer who originated serialism is:


A) Arnold Schoenberg.
B) Richard Wagner.
C) Igor Stravinsky.
D) Béla Bartók.

E) None of the above
F) A) and D)

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A

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