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The technical rehearsal is the time to establish


A) the safe operation of all scenic shifts.
B) all light cue levels and timing.
C) the placement and length of all sound cues.
D) All of these answers are correct.

E) C) and D)
F) B) and C)

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Sounds that are called for in the script are called


A) motivated sounds.
B) environmental sounds.

C) A) and B)
D) undefined

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The lighting designer can only use the following four controllable properties of light-intensity, color, distribution, and movement/change-in setting the lights for any cue in the theatre.

A) True
B) False

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A conventional spot light that throws a sharp, concentrated light and allows for the shaping of the beam with shutters is called a(n)


A) ellipsoidal reflector spot light.
B) Fresnel spot light.
C) flood light.
D) strip light.

E) B) and C)
F) C) and D)

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A light that is typically used to light the large cyclorama all the way upstage is


A) ellipsoidal.
B) Fresnel.
C) a strip light or flood light.
D) a strobe light.

E) B) and C)
F) A) and C)

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With the increasing sophistication of lighting and sound technology, these elements are becoming more and more spectacular. Connect this to the increase in spectacle in scene design, and discuss the effects on theatre. Will plays change because of these inventions? In what ways? Do you feel these changes will be improvements?

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With the increasing sophistication of li...

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Split cross-fades are quite difficult to make consistent on a manual lighting console, but computerized light boards make this complicated timing easy to accomplish.

A) True
B) False

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Could the setting for a play be created solely with light and sound on a bare stage? Why or why not? Would there be any advantages to such an arrangement?

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Yes, the setting for a play could be cre...

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In order to meet the aesthetic demands of a lighting design, the stage manager must


A) call all cues precisely 1.5 seconds before the action happens.
B) call all cues with an understanding of the pace and rhythm integral to the production.
C) call each lighting cue on the first line of every scene.
D) never call a sound cue before a lighting cue.

E) B) and D)
F) A) and D)

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Read a play from the reading list and indicate where the lighting and sound cues should come. Explain the reasoning behind your choices. (Examples of lighting: a person enters a room and switches on a lamp; a scene ends; a scene takes place at sunset. Examples of sound: a doorbell rings; a train comes into a station; birds are singing.)

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For the play "A Streetcar Named Desire" ...

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When one set of lights comes down at the same time that another set of lights come up, this is known as a


A) fade.
B) blackout.
C) cross-fade.
D) washout.

E) A) and B)
F) C) and D)

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Digital sound technology will allows musical instruments to be connected through a theatrical sound system, but at this time it cannot yet interface with lighting or projection technology.

A) True
B) False

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Discuss the use of light to create mood. What kind of light would you use in the following situations: a romantic dinner, a child's birthday party, a funeral, a party for adults, an evening of television? Explain the reasoning behind each choice.

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Lighting plays a crucial role in setting...

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High-tech lights often used by rock musicians move up and down and from side to side, change colors, and change the sharpness and width of a beam of light and allow for numerous decorative or atmospheric patterns, are now used industry-wide. Such lights are called


A) toggle lights.
B) flexilights.
C) automated lights.
D) spot lights.

E) B) and C)
F) None of the above

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The amplification of sounds produced by a performer or musical instrument is called


A) sound reinforcement.
B) sound reproduction.

C) A) and B)
D) undefined

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Which of the following responses places these theatrical lighting practices in the proper chronological order?


A) candles and oil lamps, the sun, gaslight, limelight, LEDs, incandescent lights
B) the sun, candles and oil lamps, limelight, incandescent lights, gaslight, LEDs
C) candles and oil lamps, the sun, incandescent lights, LEDs, limelight, gaslight
D) the sun, candles and oil lamps, gaslight, limelight, incandescent lights, LEDs

E) A) and C)
F) None of the above

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Visibility is the most obvious function of stage lighting. Which of the following is also a primary function of lighting?


A) reveal shapes and forms
B) assist in creating mood and reinforcing style
C) provide a selective focus and an artistic visual composition
D) All of these answers are correct.

E) All of the above
F) A) and B)

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A conventional spot light that produces a soft-edged beam and allows for variable beam spread is called a(n)


A) ellipsoidal reflector spot light.
B) Fresnel spot light.
C) flood light.
D) strip light.

E) A) and D)
F) A) and C)

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