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A) willing suspension of disbelief.
B) an anachronism.
C) role playing.
D) imitation.
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A) to create and project the inner life of the character
B) to move onstage with ease and authority
C) to interact with other performers onstage
D) to create an attractive stage picture through movement and gesture
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A) "When you gesture and speak, please try to match the emotion of the words with your gesture."
B) "Don't hold yourselves completely still as you talk, but try to gesture naturally as you speak."
C) "We want our audience to believe in these characters as if they were real people."
D) All of these answers are correct.
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A) internal
B) external
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A) stereotypes.
B) social roles.
C) personal roles.
D) psychological masks.
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A) develop a strong through line.
B) utilize the "magic if."
C) project.
D) face forward at all times.
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A) Greek theatre.
B) Asian theatre.
C) Renaissance theatre.
D) seventeenth-century French theatre.
E) eighteenth- and nineteenth-century English theatre.
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